Chapter 4
Appendix

 4.1 Common RGB Color Spaces
  4.1.1 Rec. 709
  4.1.2 BT.1886
  4.1.3 sRGB
  4.1.4 Rec. 2020
  4.1.5 ST 2084 / PQ
  4.1.6 Hybrid Log Gamma (HLG)
  4.1.7 P3 DCI
  4.1.8 P3 D65
  4.1.9 X’Y’Z’
  4.1.10 ALEXA LogC
  4.1.11 Blackmagic Film
  4.1.12 Canon CLog
  4.1.13 GoPro ProTune
  4.1.14 Panasonic V-Log
  4.1.15 RED Log3G10
  4.1.16 Sony SLog
  4.1.17 ACES2065-1
  4.1.18 ACEScg
  4.1.19 ACEScc
  4.1.20 ACEScct
  4.1.21 Cineon
 4.2 OpenColorIO (OCIO)
 4.3 Colour Science for Python
 4.4 LUTs and Transforms
  4.4.1 1D LUTs
  4.4.2 3D LUTs
  4.4.3 Using Shaper LUTs
  4.4.4 Half Float LUTs
  4.4.5 Creating LUTs
  4.4.6 GPU Implementations
 4.5 ASC CDL
 4.6 ACES CTL
 4.7 Full and Legal ranges
  4.7.1 Legal Range
  4.7.2 Full Range
 4.8 Color Difference Encoding
 4.9 Camera Characterization
 4.10 File Formats
  4.10.1 DPX
  4.10.2 EXR
 4.11 Color Matching Experiments
 4.12 Grassmann’s Law of Additive Color Mixture
 4.13 Software
  4.13.1 Open Source Software
  4.13.2 Commercial Software
 4.14 Acknowledgements