Cinematic Color 2
  • Preface
    DescriptionAuthorshipOn the Web
  • Introduction
    Intended AudienceHow to Read this DocumentThe GoalConverging ApproachesA General Model of Color ProcessingColor Management Challenges
  • Color Science
    About Color ScienceElectromagnetic SpectrumHuman Visual SystemBasic ColorimetryAdvanced ColorimetryRepresenting ColorColor Imaging Systems
  • Workflow
    About WorkflowAcademy Color Encoding System (ACES)The LookOn SetVisual Effects, Animation and GamesCompositingDI GradingCritical MonitoringFinishingArchives
  • Appendix
    Common RGB Color SpacesOpenColorIO (OCIO)Colour Science for PythonLUTs and TransformsASC CDLACES CTLFull and Legal rangesColor Difference EncodingCamera CharacterizationFile FormatsColor Matching ExperimentsGrassmann's Law of Additive Color MixtureSoftwareAcknowledgements
  • Glossary
  • Bibliography

Chapter 2
Color Science

 2.1 About Color Science
 2.2 Electromagnetic Spectrum
  2.2.1 Radiometric Quantities of Interest
  2.2.2 Photometric Quantities of Interest
  2.2.3 Spectral Distribution
 2.3 Human Visual System
  2.3.1 The Eye
  2.3.2 Retina
  2.3.3 Photoreceptors
  2.3.4 Dynamic Range
  2.3.5 Adaptation
  2.3.6 Non-Linearity of the HVS
 2.4 Basic Colorimetry
  2.4.1 Origins of Colorimetry
  2.4.2 Blackbody Radiation, Light sources and Illuminants
  2.4.3 Reflectance, Transmittance and Absorptance
  2.4.4 Standard Observers
  2.4.5 CIE XYZ Tristimulus Values and Metamerism
  2.4.6 CIE xyY Color Space and Chromaticity Diagram
  2.4.7 Perceptually Uniform Color Spaces and Color Difference
  2.4.8 Additive RGB Color Spaces
 2.5 Advanced Colorimetry
  2.5.1 Viewing Conditions
  2.5.2 Terminology
  2.5.3 Color Appearance Phenomena
 2.6 Representing Color
  2.6.1 Digital Image - Raster Graphics
  2.6.2 Quantization
  2.6.3 Perceptual Coding
  2.6.4 Floating-Point and Logarithmic Representations
  2.6.5 Gamma
  2.6.6 Color Encodings
 2.7 Color Imaging Systems
  2.7.1 Image Capture
  2.7.2 Signal Processing
  2.7.3 Image Formation
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