Cinematic Color 2
  • Preface
    DescriptionAuthorshipOn the Web
  • Introduction
    Intended AudienceHow to Read this DocumentThe GoalConverging ApproachesA General Model of Color ProcessingColor Management Challenges
  • Color Science
    About Color ScienceElectromagnetic SpectrumHuman Visual SystemBasic ColorimetryAdvanced ColorimetryRepresenting ColorColor Imaging Systems
  • Workflow
    About WorkflowAcademy Color Encoding System (ACES)The LookOn SetVisual Effects, Animation and GamesCompositingDI GradingCritical MonitoringFinishingArchives
  • Appendix
    Common RGB Color SpacesOpenColorIO (OCIO)Colour Science for PythonLUTs and TransformsASC CDLACES CTLFull and Legal rangesColor Difference EncodingCamera CharacterizationFile FormatsColor Matching ExperimentsGrassmann's Law of Additive Color MixtureSoftwareAcknowledgements
  • Glossary
  • Bibliography

Chapter 1
Introduction

 1.1 Intended Audience
 1.2 How to Read this Document
 1.3 The Goal
 1.4 Converging Approaches
 1.5 A General Model of Color Processing
  1.5.1 ACES
 1.6 Color Management Challenges
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